Ethical Issues Involved in End-of-Life Decision-Making Essay Example for Free

Ethical Issues Involved in End-of-Life Decision-Making Essay End-of-life decision-making entails looking into ethical, cultural, as well as, legal concerns. All of the aforementioned has to be carefully considered if one has to decide to end his or her own life. This paper will look into the ethical, cultural, and legal issues that go along with end-of-life decision-making. It also intends to state what therapist can contribute in his or her participation in the discussion of end-of-life decision making together with his or her colleagues, as well as, patients their families. Ethical Issues Involved in End-of-Life Decision-Making There are ethical indispensable issues involved in end-of-life decision-making and some are the following: First of all is the issue on utilitarianism, since this is said to be the â€Å"foundation of morals† then it is linked to the end-of-life decision-making as well (Ebenstein Ebenstein 1991, p. 580). Here, it is said that â€Å"actions are right in proportion as they tend to promote happiness, wrong as they tend to produce the reverse of happiness† (Ebenstein Ebenstein 1991, p. 580). â€Å"Happiness† here is regarded as the â€Å"absence of pain† and â€Å"unhappiness† is the presence of the aforementioned (Germino 1972, p. 240). It is an issue because happiness is not all that matters in ending a life (Ebenstein Ebenstein 1991, p. 580). In addition to that, how can one be sure that the absence of pain, which is death in this case, will lead to happiness of the person chiefly involved in the end-of-life decision-making (Ebenstein Ebenstein 1991, p. 580)? The same is true with the family of main person involved, will they be experience happiness if the patient opts to end his or her life voluntarily instead of waiting for his or her ‘natural’ death to take place (Ebenstein Ebenstein 1991, p. 580)? Second is the issue related with the Kantian model or what is technically referred to as the â€Å"deontological theory† (Bennagen, 2000, p. 50). This states that a person has to fulfill a certain responsibility or duty as a part of his objective (Bennagen, 2000, p. 50). This statement now seems to be irrational since the concrete definition of a responsibility or duty is not provided (Bennagen, 2000, p. 50). For example, is it the person’s responsibility to subject himself or herself to death (Bennagen, 2000, p. 50). It may be his or her right to choose to live or die but if asked if it is his or her responsibility remains a big question (Bennagen, 2000, p. 50). Last but not least, there are some health care providers who are extremely conscious about â€Å"how much money is spent on patients and how effectively it is spent† (Hinman, 2000, p. 9). Some individuals feel that the amount of money spent on terminally ill patients is not really worth it (Hinman, 2000, p. 9). This is highly unethical; it is as if one is saying that money is far more important than actually trying to save a life (Hinman, 2000, p. 9). Cultural Issues Involved in End of Life Decision-Making Furthermore, there are several cultural issues involved in end-of-life decision-making as well and some are the following: First of all, there are some members of a cultural minority that prefers to be spoken to directly with regards to the disease that they are going through (Searight et. al. , 2005, p. 516). Although, there are also some who do not (Searight et. al. , 2005, p. 516. ). In fact some immediate family members request that they be the ones to be spoken to only since they believe that informing the patient will only make the patient feel worse and will eventually negatively affect him or her (Searight et. al. , 2005, p. 516. ). The same is true when it comes to making decisions with regards to the medications/treatment that the patient will undergo; some family members prefer that they be the ones to be in charge about this instead of the doctor and/or the patient (Searight et. al. , 2005, p. 516. ). Second, patients who belong to a cultural group sometimes opt â€Å"not to be directly informed† about the disease he or she is going through especially if it’s a life-threatening one (Searight et. al. , 2005, p. 516. ). Third, some patients also would prefer to carry out certain religious activities and spiritual traditions so as to assist in their medical treatment, and eventually, their healing as well (Searight et. al. , 2005, p. 516. ). Last but not least, some patients take into consideration their beliefs and outlook when it comes to the â€Å"medical experts, suffering, as well as, the afterlife† (Searight et. al. , 2005, p. 516. ). Legal Issues Involved in End-of-Life Decision-Making There are also certain legal concerns when it comes to end-of-life decision-making: Most of the States disallows physician-assisted suicide; for example in New York, it is unlawful â€Å"under the general homicide laws† (Legal Status of Assisted/Euthanasia in the United States, n. d. , n. p. ). The same is true in Virginia wherein â€Å"there is no law that actually covers physician-assisted suicide but there is a statute which imposes civil sanctions on persons assisting in a suicide† (Legal Status of Assisted/Euthanasia in the United States, n. d. , n. p. ). My Participation as a Therapist in the Discussion of End-of-Life Decision-Making along with Colleagues There are several things that I may contribute as a therapist to my colleagues. I can share with them my knowledge with regards to how to communicate with patients of diverse culture (Searight et. al. , 2005, p. 521. ). I can request them to â€Å"demonstrate an interest to the patient’s cultural heritage† for them to be able to give the patient â€Å"culturally-sensitive care† (Searight et. al. , 2005, p. 521. ). In addition to that, I will also let them know that it is important to give the patient â€Å"autonomy† especially when it comes to â€Å"non-disclosure of medical information and family-centered decision-making† because through the aforementioned, the patient will eventually feel that their â€Å"cultural norms are being respected† (Searight et. al. , 2005, p. 521. ). My Participation as a Therapist in the Discussion of End-of-Life Decision-Making along Patients and their Families Finally, I may also be of great assistance to patients and their families with regards to their discussion of end-of-life decision-making through the following: 1) I will respect it if the â€Å"patient prefers that his or her family members be the recipients of diagnostic and treatment information†; 2) I will make sure first who is the member of the family who’s appointed to make treatment decisions before speaking to him or her or giving them an advice with regards to the medical procedures or treatment; and 3) I will help them find another therapist/physician in case they are uncomfortable with the current one and especially if their therapist/physician â€Å"belong to the different ethnic background† (Searight et. al. , 2005, p. 521. ). As a therapist, I will try to advise them the best I can while considering their cultural background, incorporating my ethical/moral standards, and making sure that I will abide by the laws as well. References Bennagen, P. (2000). Social Economic and Political Thought. Q. C. : UP Press. Ebenstein, W. and Ebenstein, A. 1991, Great Political Thinkers: Plato to the President.Harcourt Brace, Forth Worth. Germino, D. 1972, Machiavelli to Marx: Modern Western Political Thought. University of Chicago Press, Chicago. Hinman, L. M. (2000). Ethical Issues in End of Life Decisions: A Guide to Understanding Differences. Retrieved April 28, 2008 from http://ethics. sandiego. edu/presentations/sharp/index_files/v3_document. htm Legal Status of Assisted/Euthanasia in the United States. (n. d. ). Retrieved April 28, 2008 from http://www. nightingalealliance. org/pdf/state_grid. pdf Searight, H. R. Gafford, J. (2005). Cultural Diversity at the End of Life: Issues and Guidelines for Family Physicians. American Family Physician, 71(3), 515 – 522.

Puppetry Theater In Pakistan Media Essay

Puppetry Theater In Pakistan Media Essay A couple of months back I attended the Karachi Literary festival, over there I saw puppeteers perform, a nostalgic feeling took over and reminded me of my childhood days when I enjoyed puppet shows with my parents at carnivals, birthday parties, entertainment in school and etc.In fact in primary school level it was almost necessary in our arts and craft class to make hand puppets with socks and develop stories and characters around them. I remember it being very popular even on television, characters like Uncle Sargam and the show Kalian were shown in the 90s on PTV.It was once a vibrant part of our popular culture but with the advent of technological changes, lack of funds and constant development this form of art and its popularity is retreating into darkness. In this dissertation I am going examine the rise and fall of theater puppetry in Pakistan with particular focus on reasons of decline of this industry in comparison to other countries in the subcontinent. I will provide an analysis of the downfall and the efforts of The Raafi Peer Theater to revive puppetry in Pakistan. Literature review: Puppetry captures the imagination and interest of young students and therefore used in many schools in the west and east as a medium to communicate and teach the children. Stories are told and retold through toys, gestures, animals and puppets using dramatic voices and theatrical effects. The popularity of puppets as a method for teaching can be traced for centuries. In the Flemish manuscript The Romance of Alexander, written in 1340, there is an illustration of glove pup- pets. Xenophon and Plutarch mention the use of marionettes. Medieval morality plays are performed by marionettes, and the pup- pets popularity is alluded to by Cervantes and Ben Jonson, Haydn, Mozart and Bach compose brief operas for marionettes in the wealthy court circles of the eighteenth century.  [1]   In Puppetry as an Educative Media Roberta Jane Confino reveals how puppetry can be transformed into an effective media by the educators today.Puppetery is often related to artwork and brings out the creativity in children as it mixes both memory with imagination, it seeks expression rather than true representation.  [2]  It becomes the educators responsibility to guide, encourage and build a rapport with child. The most important function of the teacher in an art room, and perhaps in every other school room also, is to create a creative atmosphere.  [3]   Puppets can be created from various objects such as finger puppets involve paper cut outs and material to fit over a child finger. Hand puppets involve movement of the entire hand with fingers and different areas. Shadow puppets are created when rod puppets are shown on a screen illuminated from behind. Marionettes, or string puppets may be simply worked with one or two strings or they may be made more complex.  [4]  Puppets may be made of materials found around the house or in nature. Painted branches or twisted scraps of wood are the beginning elements of characterization, paper-bag puppets, milk container puppets, puppets with simplistic design, and puppets with detailed color or features.  [5]  These puppets offer great opportunities for diversity, the possibilities are almost endless and Creativity and imagination can flourish  [6]   Technological advancements have also played a major role with animation and computer graphics. These days characters are made on the computer and shown on television catering to a larger audience. Steve Tillis in Art of puppetry in the Age of Media production questions if the figures made of the computer can be termed as puppets and if not what the reasons are for it. Is a person operating a puppet (tangible or virtual) in real-time is doing what puppeteers have always done; but a person working at a keyboard with a virtual puppet-despite the fact that one is controlling the movement of the puppet-does not seem to be engaged in the same activity, despite the fact that the result (i.e., movement of the figure) is the same.  [7]  One might say that the computer has freed the puppet from its dependence on conventional puppeteers, but computers have not freed the puppet from the necessity of human control of one sort or another. Steve Tillis brings the issue of tangibility as computer graphics figures are not tangible, they cannot be touched. However there are striking similarities in the creation of computer graphics figures and puppets: the creation of both involves the construction of a figure, in short, are artificial human constructs designed for manipulation (of one sort or another) by people.  [8]  Despite the similarities, I feel tangibility is a significant part that distinguishes the two. Puppets are as we have known them be thought of as tangible, while computer graphics figures are thought of as virtual puppets. The hands on experience of making the puppet, interacting with it, learning about it, integrating culture and history to it cannot be compared to a figure made on computer. There is a pleasure still to be found in the live performance of a tangible puppet, the direct confrontation between an audience and a living object that is distinct from the particular pleasures of media puppets. Rachel A.Bonney in her article on, Teaching Anthropology through folklore for the Anthropology Education Quarterly brings an anthropological view on the importance of folklore as an educational tool for children and the society as these stories hold value, cultural traditions that are passed on from one generation to the other. In this article Rachel A.Bonney focuses on how storytelling can be used for educational practices not only for children but at college level as well. She has been using this method for the past ten years as a teaching aid in both introductory and advanced anthropology classes.  [9]  She describes three separate uses of folklore: collecting folklore through fieldwork interviewing, analyzing themes in these stories and using folklore through puppetry and plays.  [10]  She points out how folktales are used as sources of information and insights on child-rearing and making them more aware of other cultures and on their morals, traditions and values. However, children are more familiar with their own culture and traditions than of others and therefore she used American or European cultures to analyze folklore material as it is easier and effective to identify and relate. For her study she used Grimms fairy tales such as Hansel and Gretel and Little Red Riding Hood because these two stories are popular in the American culture despite Medieval European origins and cultural change.  [11]  Furthermore she tells us how these stories are dramatized with puppet plays where students make their clothes, give them a face and make the surrounding that are illustrated to make it is culturally appropriate. They may range from stick puppets to socks, scraps of cloth, paper plates etc, and are often performed in a small scale setting and therefore it is cost effective.  [12]  Often additional sounds effects are used for example music, back vocals that are taped to enhance the dramatic presentation. Through background research for script writing students learn about another culture in depth, for example if the students were putting up a puppet show about Ali Baba and the forty thieves they would have to look in to the historical background, the roots of the charactors, what they wore in that time and so on. Rachel A.Bonneys argues that folklore might be seen as high tech in modern America, but her approaches have successfully shown us how Western and non-western values can be integrated to a childs bringing up not only in the literate society but as an effective device in non-literate society  [13]  . She further builds her argument by saying that anthropology is not exclusively an exotic and esoteric discipline for the study of primitive society. Anthropology is not for a few elite, but for everyone.  [14]   Her study on folklore tales is not restricted to the western world but also relatable here in the subcontinent. Much of the puppetry in the sub continent is associated with folklore stories based on historical themes. They hold great pride in their stories as they have been passed on from generations through oral history and have become a central part of identity of tradition and culture. Common folklores in the sub continent are of Heer Rahja,Sassi Pannu and Laila Majnu, these characters are recognized and referred to in their everyday lives. For example when someone is madly in love he will be referred to as Majnu not Shakespeares Romeo. Shakespeareans characters Romeo and Juliet represent undying love such is the case with Laila Majnu. Many additions and subtractions have been made to the story over the years but what remains constant is Majnus love for Laila. Puppets are portrayed differently around the sub continent for example in India they are popular in Tamil Nadu,Orrisa,Andhra Pradesh,Asaam and the West Bengal. They portrayed unique features of the art and are operated through strings attached to the knees, hips, wrists, shoulders that make each and every part of the body move in different directions just as humans do. This method is practiced till today. Thyagaraja Sharma, an English Professor, said that the art dated back to Indus Valley Civilization.  [15]  Excavations of clay dolls from the site were an indication of this long tradition. A lot of information about puppetry was seen in Sangam literature too. They are often religiously portrayed from epics like Mahabarata, Bhuddas life and Raamayana.Besides dealing with religious themes, Indian puppetry also conveys useful messages from Panchat`ntra and other mythological and historical epics.  [16]  Started initially as a medium of entertainment, puppetry became the media for propagation of ideas, dissemination of information, and educating the masses.  [17]   Anna Sobel, a professional puppeteer and an activist was intrigued by a show put up by the Indian puppeteers in the Smithsonian gallery in Washington DC.She spoke to them later and found out that they use puppets for social awareness programs such as AIDS in villages back home. In September she went to India on a nine month Fulbright grant to study Indian puppetry as a tool for social change in the primitive society.  [18]   In her article Mutual respect: Re-examining puppetry in India, Anna Sobel discusses how the uneducated class in India respond to puppetry and how their behavior changes because of it. As mentioned above India has a rich cultural association with puppets and with the help of government funding educational puppetry in not a foreign concept. The puppeteers took this responsibility as a moral obligation to the public which includes adults and children.  [19]  Sobel observed that the children in the village would get up early as four in the morning to practice and recite the story of Ramayana which they performed for forty one nights straight. They took this opportunity to provide extensive commentary on healing properties of local herbs and discussed educational themes.  [20]  She further observed how puppeteers were able to adapt a show to in the local ambiance much better than what she saw at the Smithsonian, as the audience recognized the stories, songs and characters. In addi tion, the live performance of the puppetry allowed direct rapport with the audience allowing them to be involved directly, the likely hood of them to remember the message more than if they saw the program on the television for example. Live shows are more common in the rural areas in India because they do not have access to mass media, such as television or newspaper. This may be the reason why in the cities puppetry is not common anymore as media has replaced this source of entertainment. However, the Indian government has still reinforced this craft because they use this as a tool for religious education. In Pakistan Rafi Peer theater workshop(RPTW) is one organization that has revived puppetry through theater,dance,music that has provided a rich cross cultural experience to audiences in Pakistan and abroad. In a country where accessing early childhood education is close to impossible, those who attend dropout at a early stage due to financial and family issues.RPTW is a non-government organization which is doing pioneering work in the field of Arts is run by the Peerzada family. Headed by Usmaan Peerzada, Faizaan Peerzada, Saadaan Peerzada, Imran Peerzada, Tasneem Peerzada and Salman Peerzada.It has built a Museum of Puppetry. It runs the Universal Child Art Foundation, promoting child art and visual learning globally. Presently it is developing a Theatre Arts training Institute. RPTW most important milestone is the establishment of the Museum of Puppetry in 2004.Till now it has organized over 25 international performing arts festivals. Festivals are one of the most popular attractions of cultural tourism, have been a part and parcel of South Asian culture for a long time. Pakistan Children Television (PCT) can be considered a landmark when it comes to educating children who lack formal education opportunities. Through PCT they started a show called,Sim Sim Hamara, an educational series of shows for children. It is a adaptation of Sesame Street has been created by RPTW in collaboration with the Sesame Workshop, New York, and funded by the United States Agency for International Development (USAID). The project is the outcome of extensive research as it includes participants from different provinces .They worked with the government and other educational experts so that they can cater to the educational needs for the children. This TV series was set to provide high-quality early education resource for a larger audience. Their goal is to educate families and children and the fact that learning can happen in formal and non-formals means. They use examples from the real world for example reading prayers from The Holy Quran, buying vegetables from the local market, attending school, how to communicate with other people, measuring ingredients for roti as a basis for storylines and materials.

Population Ecology vs. Neoinstitutional Theory Essay -- Environment, E

Organization-environment relations depict certain areas of UCSB in their entirety in which two of those theories include population ecology and neoinstitutional theory. Population ecology and neoinstitutional theory looks at UCSB in divergent perspectives: population ecology studies organizations if they are a living or dying species whereas neoinstitutional theory highlights the organization’s importance as an establishment to its field of expertise. With this, I am going to compare both, population ecology and neoinstitutional theory, in relation to the University of California – Santa Barbara. I will further discuss each of their strengths and weaknesses in accordance to the behavior and environment of institution, faculty, staff, and its students within this organization. Within nature, any form of species focus on selection and adaptation towards their environment to better themselves; organizations exert this idea as a metaphor to personify the organization-environment theory of population ecology underlining any organization functions as a living or dying species. Primarily, population ecology reflects both a rationalist and naturalist perspectives. Population ecology echoes rationalist theory since power is frequently controlled by those in superior positions inside the organization (Taylor 25). Also, population ecology is natural because it denies specificity and predictability due to the organization’s dependence of the fluctuation of environmental resources (Sutton 1/20/11). Ultimately for any organization to adapt and change the future of the establishment, it is compulsory for workers in a dominant position to ruminate any strategies and environmental opportunities and threats (Hannan 930). Henry Yang, as UCSB’s ... ...rsity. Conformity limits the organization values and appearance to which they cannot change unless the organization wishes to achieve any backlash. Overall, population ecology and neoinstitutional theory are part of organization-environment relations and are applied throughout UCSB. Population ecology and neoinstitutional theory are two theories describing and affecting the organizational environment at UCSB from two perspectives: the population and institutions as a whole. With population ecology, UCSB faces competition dilemmas to keep their organization from â€Å"dying†; and additionally, neoinstitutional theory shows UCSB how to appear legitimate through conforming to society’s beliefs and expectations. Although both concepts are vastly differently, they aid UCSB, as well as other organizations, to understanding the lifespan and appearance of its establishment.

Ethical Issues of Human Cloning Essay -- Ethics, Human Cloning

The word "cloning" is commonly used in everyday communication to mean many different technological procedures. Cloning is more specifically defined as somatic cell nuclear transfer. Simply explained by Glenn McGee in his article Primer on Ethics and Human Cloning as "the starvation and subsequent implantation of DNA from one organism (e.g., cells specialized to make that organism's hair or milk) into an egg whose DNA nucleus has been removed. The resulting egg and nucleus are shocked or chemically treated so that the egg begins to behave as though fertilization has occurred, resulting in the beginning of embryonic development of a second organism containing the entire genetic code of the first organism," (........).This method was first harnessed in 1952. Further manipulation of the procedure provided the first mammal being cloned in 1996. A sheep named Dolly was created by Dr. Ian Wilmut form PPL Therapeutics and the Roslin Institute of Edinburgh, Scotland. Several more mammals proc eeded Dolly including mice, cows, pigs, cats, rabbits, and a mule in 2003. While progressing leaps and bounds, cloning still provided many undesirable presentations. For example, Dolly was severally obese and died prematurely. Aged chromosomes during her creation is thought to be the cause of her unfortunate death. Many clones created have had complications with their immune system, lung, livers and like Dolly, many have been obese. Cloning has also proven to require nearly endless attempts to provide a full pregnancy resulting in a live mammal. In Dolly's case, she proceeded 277 failed pregnancies. Furthermore than physical complications, many other issues, both tangible and ethical, steadfastly accompany cloning. Cloning, still being entirely exp... ...in need of organ transplants. One needs a liver, another needs a kidney, two need a new lung, and another needs a heart. Should I justify therapeutic cloning, I would then have to justify the murder of an innocent local to provide organs to these five people in need. If my wife needs a kidney transplant and I can provide a match and giver her one of mine, I have the conscious ability to make that decision. However, and embryo, a premature child, does not have the voice to say that he or she is willing to give up his or her life to benefit research of medical advances. The idea of being able to use exactly compatible cells to safe lives sounds like a beautiful reverie. If there was a way to create this miracle without creating an embryo, without killing a life, I would be extremely supportive. Until that breakthrough occurs I will stand firm behind my beliefs.

The Evil In Hamlet Essay examples -- claudius, queen gertrude

The Evil In Hamlet Throughout the play Hamlet, evil thoughts and actions can be seen. The characters Hamlet, King Claudius, and Queen Gertrude consistently are influenced by the forces of evil. Evil becomes the controlling factor of the play and causes the characters thoughts and actions to be blurred. Hamlet’s thoughts are constantly darkened by suicide and death. Hamlet can be seen as suicidal in one of his first soliloquies. â€Å"O, that this too too solid flesh would melt / Thaw and resolve itself into a dew, / Or that the Everlasting had not fixed / His canon 'gainst self-slaughter. O God. God† (Ham. 1. 2. 129-132). This shows Hamlet wishes his "flesh would melt" because his mother's actions have made the world completely corrupted. Hamlet also states that suicide or, "self-slaughter" is evil and a sin. Another example of Hamlets thoughts being consumed by evil and death can be seen in what may be his most famous soliloquy. Hamlets thoughts are so blackened by evil and death he wonders why everyone doesn’t commit suicide. â€Å"To be, or not to be: that is the question: / Whether 'tis nobler in the mind to suffer / The slings and arrows of outrageous fortune, / Or to take arms against a sea of troubles, / And by opposing end them? To die: to sleepâ €  (Ham. 3. 1. 56-60). This shows Hamlet clearly pondering why he should live in a world of troubles when he could just kill himself. Hamlets’ pondering of death comes to a pinnacle in the notorious graveyard scene when Hamlet holds up the skull of Yorick, a court jester Hamlet knew when he was little. â€Å"That skull had a tongue in it, and could sing once. How the knave jowls it to the ground, as if it were Cain's jaw-bone, that did the first murder! It might be the pate of a poli... ...evil of Claudius and herself. â€Å"Gertrude, do not drink. / I will, my lord; I pray you pardon me† (Ham. 5. 2. 257-258). Gertrude consumes the cup even though Claudius directly tells her not to. It is left ambiguous as to weather or not Gertrude knew the cup was poisoned or not. Gertrude may have been so possessed by the guilt of her evil she drank the poisoned cup knowingly in an attempt to try and save Hamlet. It is clear that evil is a driving force throughout the play. The thoughts and actions of the characters of Hamlet, King Claudius and Queen Gertrude are poisoned and corrupted by evil. The characters evil ultimately lead to all of their deaths. Works Cited Shakespeare, William. â€Å"The Tragedy of Hamlet, Prince of Denmark† Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print

Postal Rule of Acceptance

Four main justifications of Postal Acceptance Rule i. ‘Ad infinitum’ Justification Postal rule had existed almost for 200 years and the post had been creating problems for people which the courts are obliged to solve them logically. Why it had been creating so many problems for people and that we will be discussing later on. For now let’s look at the four main justifications for postal rule of acceptance. It came from Treitel and he believes that the four main justifications are for the creation of postal rule.First of all, the first justification is the â€Å"Ad Infinitum† justification where its main rationale is that acceptance by post has to be valid on posting because if there were no postings which mean there is no contract formed. Based on the case of Adam v Lindsell, the defendant actually mail the offer of selling wool to plaintiff and the plaintiff was requested on mailing back to the defendant. Unfortunately there was an error in the offered pric e and plaintiff did not receive it.We can thus conclude that the defendant had not receive the letter of acceptance and therefore the defendant assume that the plaintiff did not want to accept his offer so he sold the wool to a third party. There was actually a contract exists before the sale of the wool because acceptance made right after the mail is being mailed. Therefore, the defendant was liable in breach of contract. In this case, it might go on ad infinitum because once mail is being posted which means that acceptance is being made.Of course, there is a high level of uncertainty because of the distance between the two parties causing them difficulties for the formation of contract. ii. ‘Symbolic Act’ Justification In this justification, rationale being that the offeror must be considered as continually making (the offer) until he has brought to the knowledge of the person to whom it made that it is withdraw. Based on the case of Brogden v Directors of Metropolita n Railway Co, there was a contract sent by the defendant (Directors of Metropolitan Railway) to the plaintiff (Brogden) regarding the contract.The plaintiff agreed the contract by signing it and return to the defendant. The defendant then filled in the blanks without informing the plaintiff about the acceptance. Since there is no acceptance being communicated between the both parties, the plaintiff did not supply the company with coals. Thus, there was subsequently a dispute arose that whether the written agreement was valid. Although the action of communication of acceptance had not been showed clearly, in fact the written agreement was valid despite no acceptance being informed.Reason being both parties had already agreed on the terms of the contract without any objections. In the real world, we do not see an offeror consistently making an offer to people, and subsequently this justification seems to be attempting to affect a useful acceptance rule rather than providing any real r ationale for the postal rule. ——————————————– [ 1 ]. The Law of Contract, 11th Edition, 2003 page 25 [ 2 ]. Stevenson P. J, 2010 [ 3 ]. (1818) 1 B&A 681 [ 4 ]. Henthorn v Fraser (1892) 2 Ch. 27 [ 5 ]. Stevenson P. J, 2010

Paleolithic, Neolithic, and Mesolithic Art Essay

The earth and the sky factor into Paleolithic, Neolithic, and Mesolithic art and monuments. Paleolithic means Old Stone Age and the art was mainly consisted of paintings in their caves and Venus figurines. Neolithic means New Stone Age and the art was consisted of the Stonehenge, figures, and pottery. Mesolithic means Middle Stone Age and the art consisted of some pottery, hand tools, and some figurines. In the Old Stone Age, (Paleolithic) their art was consisted of mainly paintings on cave walls. People painted animals because that was what they would see in the dark due to the prolonged time of being in darkness in the caves. They didn’t see much sunlight. As time went on, mathematical aspects started to rise from observational astronomy. Some cave paintings became known as an understanding of the path the moon takes around the sun. This is known as the ecliptic. The ecliptic lead to the discovery of the zodiac. Stars, moons, and planets in the Paleolithic culture are not the stars, moons and planets of modern time that we know. They are those whose habitat is the Milky Way and the celestial sphere now. Many of these paintings reflected images that were seen in the night sky. Such as the Bison that were painted in cave walls which is known as the Taurus in the zodiac sign today. The significance of their art was the astronomy and mathematical connections they made and how it created what we now know as the zodiac. The New Stone Age began to connect with the earth and the sun more by the use of famous monuments. In the New Stone Age (Neolithic) the people built villages that were built for family, life, and worship. They worshipped many gods, but their beliefs were strongly based on nature. They also built many walls that were used as a defense. The monuments they built was their main form art that had connection s to the earth and the sun. They created a giant stone monument that was known as Stonehenge. It was made out of earth, timber, and stones. By viewing this monument, it was observed that the Neolithic people had knowledge in architecture, mathematics, and astrology. The Stonehenge was created as an astrological observatory. It is known for this because of the rising and setting of the sun on the summer and winter solstice that can be seen through the monument. It was also considered to possibly have been used as an astronomical calendar. The significance of this monument is how these people had the mathematical and astronomy knowledge to build this in a way to be able to witness amazing views in the sky that come every year. The Middle Stone (Mesolithic) art consisted of mostly pottery and hand tools. During the Middle Stone age, the Mesolithic people made many hand tools because they began to gain more knowledge to be able to farm and capture animals more effectively. They created carved-engraved bone plates. These engraved or painted plates of stones were marked with dots. These dots were considered to be accurate lunar observations. The interpretation of the markings on many artefacts were considered to be marks that correlate with lunar or s olar motion. This showed that the Mesolithic people had some astronomical skills. The significance of these findings show that over time people were gaining skills on astronomy and were creating their observations through the use of art. Over time art has changed dramatically. It started off as just paintings on cave walls and lead to massive monuments that are still standing today. There is significance behind all of the art since the Stone Age times. These people from the stone ages used art to express their knowledge in mathematics and astronomy. They used it to better understand the earth, the sky, the sun, and the stars. They not knowingly created what is today the zodiac and proved they didn’t need any technology to create an astrological observatory.